Books with author (Francis Marion Crawford

Ave Roma Immortalis, Vol. 1 - Studies from the Chronicles of Rome is presented here in a high quality paperback edition. This popular classic work by F. Marion (Francis Marion) Crawford is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of F. Marion (Francis Marion) Crawford then we highly recommend this publication for your book collection.

The Children of the King is presented here in a high quality paperback edition. This popular classic work by F. Marion (Francis Marion) Crawford is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of F. Marion (Francis Marion) Crawford then we highly recommend this publication for your book collection.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

This eBook edition of "The Little City of Hope" has been formatted to the highest digital standards and adjusted for readability on all devices.Francis Marion Crawford (1854-1909) was an American writer noted for his many novels, especially those set in Italy, and for his classic weird and fantastic stories.Excerpt:"It's worth while to be a great inventor to be able to make things like that!" he cried, and Overholt was as much pleased by the praise as an opera singer is who is called out three times before the curtain after the first act. So the little City of Hope grew, and they both felt that Hope herself was soon coming to dwell therein, if she had not come already."

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

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HOW JOHN HENRY OVERHOLT SAT ON PANDORA'S BOX "Hope is very cheap. There's always plenty of it about." "Fortunately for poor men. Good morning." With this mild retort and civil salutation John Henry Overholt rose and went towards the door, quite forgetting to shake hands with Mr. Burnside, though the latter made a motion to do so. Mr. Burnside always gave his hand in a friendly way, even when he had flatly refused to do what people had asked of him. It was cheap; so he gave it. But he was not pleased when they did not take it, for whatever he chose to give seemed of some value to him as soon as it was offered; even his hand. Therefore, when his visitor forgot to take it, out of pure absence of mind, he was offended, and spoke to him sharply before he had time to leave the private office

The hero is an American who has given up his promising career as a professor of mathematics in order to devote himself to the perfecting of an air motor which he has invented. After his money is gone his wife becomes governess and his boy spends his time constructing a little model of the college town his father has left. This they name the "City of Hope" and through it comes to them a Christmas blessing.

The sun was setting on the fifth day of May, in the year of our Lord's grace eleven hundred and forty-five. In the little garden between the outer wall of the manor and the moat of Stoke Regis Manor, a lady slowly walked along the narrow path between high rose bushes trained upon the masonry, and a low flower-bed, divided into many little squares, planted alternately with flowers and sweet herbs on one side, and bordered with budding violets on the other. From the line where the flowers ended, spiked rushes grew in sharp disorder to the edge of the deep green water in the moat. Beyond the water stretched the close- cropped sward; then came great oak trees, shadowy still in their spring foliage; and then, corn-land and meadow-land, in long, green waves of rising tilth and pasture, as far as a man could see. The sun was setting, and the level rays reddened the lady's golden hair, and fired the softness of her clear blue eyes. She walked with a certain easy undulation, in which there were both strength and grace; and though she could barely have been called young, none would have dared to say that she was past maturity. Features which had been coldly perfect and hard in early youth, and which might grow sharp in old age, were smoothed and rounded in the full fruit-time of life's summer. As the gold deepened in the mellow air, and tinged the lady's hair and eyes, it wrought in her face changes of which she knew nothing. The beauty of a white marble statue suddenly changed to burnished gold might be beauty still, but of different expression and meaning. There is always something devilish in the too great profusion of precious metal—something that suggests greed, spoil, gain, and all that he lives for who strives for wealth; and sometimes, by the mere absence of gold or silver, there is dignity, simplicity, even solemnity. Above the setting sun, tens of thousands of little clouds, as light and fleecy as swan's-down, some dazzling bright, some rosy-coloured, some, far to eastward, already purple, streamed across the pale sky in the mystic figure of a vast wing, as if some great archangel hovered below the horizon, pointing one jewelled pinion to the firmament, the other down and unseen in his low flight. Just above the feathery oak trees, behind which the sun had dipped, long streamers of red and yellow and more imperial purple shot out to right and left. Above the moat's broad water, the quick dark May-flies chased one another, in dashes of straight lines, through the rosy haze, and as the sinking sun shot a last farewell glance between the oak trees on the knoll, the lady stood still and turned her smooth features to the light. There was curiosity in her look, expectation, and some anxiety, but there was no longing. A month, had passed since Raymond Warde had ridden away with his half- dozen squires and servants to do homage to the Empress Maud. Her court was, indeed, little more than a show, and Stephen ruled in wrongful possession of the land; but here and there a sturdy and honest knight was still to be found, who might, perhaps, be brought to do homage for his lands to King Stephen, but who would have felt that he was a traitor, and no true man, had he not rendered the homage of fealty to the unhappy lady who was his rightful sovereign.

When the accident happened, Cordova was singing the mad scene in Lucia for the last time in that season, and she had never sung it better. The Bride of Lammermoor is the greatest love-story ever written, and it was nothing short of desecration to make a libretto of it; but so far as the last act is concerned the opera certainly conveys the impression that the heroine is a raving lunatic. Only a crazy woman could express feeling in such an unusual way. Cordova's face was nothing but a mask of powder, in which her handsome brown eyes would have looked like two holes if she had not kept them half shut under the heavily whitened lids; her hands were chalked too, and they were like plaster casts of hands, cleverly jointed at the wrists. She wore a garment which was supposed to be a nightdress, which resembled a very expensive modern shroud, and which was evidently put on over a good many other things. There was a deal of lace on it, which fluttered when she made her hands shake to accompany each trill, and all this really contributed to the general impression of insanity. Possibly it was overdone; but if any one in the audience had seen such a young person enter his or her room unexpectedly, and uttering such unaccountable sounds, he or she would most assuredly have rung for a doctor and a cab, and for a strait-jacket if such a thing were to be had in the neighbourhood. An elderly man, with very marked features and iron-grey hair, sat in the fifth row of the stalls, on the right-hand aisle. He was a bony man, and the people behind him noticed him and thought he looked strong. He had heard Bonanni in her best days and many great lyric sopranos from Patti to Melba, and he was thinking that none of them had sung the mad scene better than Cordova, who had only been on the stage two years, and was now in New York for the first time. But he had already heard her in London and Paris, and he knew her. He had first met her at a breakfast on board Logotheti's yacht at Cap Martin. Logotheti was a young Greek financier who lived in Paris and wanted to marry her. He was rather mad, and had tried to carry her off on the night of the dress rehearsal before her début, but had somehow got himself locked up for somebody else. Since then he had grown calmer, but he still worshipped at the shrine of the Cordova. He was not the only one, however; there were several, including the very distinguished English man of letters, Edmund Lushington, who had known her before she had begun to sing on the stage. But Lushington was in England and Logotheti was in Paris, and on the night of the accident Cordova had not many acquaintances in the house besides the bony man with grey hair; for though society had been anxious to feed her and get her to sing for nothing, and to play bridge with her, she had never been inclined to accept those attentions. Society in New York claimed her, on the ground that she was a lady and was an American on her mother's side. Yet she insisted on calling herself a professional, because singing was her profession, and society thought this so strange that it at once became suspicious and invented wild and unedifying stories about her; and the reporters haunted the lobby of her hotel, and gossiped with their friends the detectives, who also spent much time there in a professional way for the general good, and were generally what English workmen call wet smokers